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Live-Blogging Mad Men: Here Is New York?

Started by tomwatson · 11 months ago

Earlier today on another blog far, far away Blue Girl suggested that the last episode of Man Men (the best in my opinion) reminded her of far away New York and made her wish she was here. I didn’t see it - even the famed “New Amsterdam” episode (the only o ... Continue reading »

65 comments

  • Does Mad Men get New York?

    Lord, no. The show is a production designer's dream of certain images of New York, swiped from any number of sources--The Apartment, the early scenes of North by Northwest, Breakfast at Tiffany's, and (for the beatnik sequences) those Lower East Side tenements you'd see in select episodes of The Twilight Zone.

    In fact, as I thought about this question, I suddenly realized that the Manhattan of Mad Men was only matched in fakeness by one other version I know--the completely false New York of Kubrick's final catastrophe Eyes Wide Shut. Kubrick, however, at least had the excuse that he had spent the last twenty years of his life in England.
  • Don't give my opinion too much weight. An apple sitting on my kitchen counter can get me missing NYC. So, when the one character was talking about riding the train into the city everyday, I got a little melancholy.

    The accents on the show drive me nuts. Don Draper doesn't do it, but most of the others do. They're talking like teenagers who are trying to be sophisticated. It's like a bad, fake Engish accent or something.

    Back to MSNBC's post-speech analysis till 10. Did you know we are only one of 37 countries fighting in Iraq?
  • Yeah Jim, they're borrowing from those old design settings. But hell, in NxNW, Hitchcock shot in New York - outside the UN (which he had to sneak in, lacking permission), inside the Plaza, inside Grand Central and even the background shots on the train up the Hudson were accurate.

    But I do think it's the accents and the emphasis. It's off kilter. Which is strange, because the Sopranos has such a strong regional sense. I mean, why not Johnny Sack as an older ad man?
  • 37, huh? Is one of the others the ALQadeans?
  • Well, for instance - there are Americans and Democrats, so that's two of the 37 right there.
  • God! Why does this show have to be so heavy handed right off the bat! The little girl holding her heart as the doves were released... geez.
  • The Birds and Grace Kelly--so looking for greatness by association.

    Are they in Radio City? Does anyone recognize that foyer/lounge?
  • Grace Kelly from Philly a "European face" - ha!
  • Not RC, MA
  • "The Birds" - an obvious reference the the, aha, 1960 Hitchcock film.
  • Grace Kelly lite. Petting? By 1960 it was "making out".
  • 30-something, anyone?...Miles Drentell...Michael?
  • "I was a model, you know" is this episode's "Chip 'n' Dip."
  • Prostitute...whore-child, it all comes together!
  • Now we're in the "Make Room for Betty Show"
  • Steve - good one. He was a whore-child, then he married one!
  • Oh Pete, we have news for you . . . .
  • Peggy's pregnant. With a whore-child.
  • Betty is not Betty Friedan material.
    She wants bright lights not a career
    Jackie went to Vassar, not a finishing school but academically rigorous by that time.
  • Oh god. Peggy probably is pregnant. ACK! This show KILLS me.
  • Wow. I really had a Barbie with a dresss like that.
  • At least Barbie could act...
  • That was the longest set-up (mamie's funeral) for the smallest pay off yet.
  • I am completely baffled by Pete's brilliant strategy.
  • In the ad business that sort of strategy is known as the "chip n dip"
  • Prostitute…whore-child, it all comes together!

    lol.
  • Michael Beirut--are you in the house? Can you explain the lighting bolt from Pete?
  • Thank you, Tom, that explains everything.
  • Gosh, if Peggy had only had a spare bottle of that cola around the apartment that night with Pete, maybe she wouldn't be splittin' her seams...
  • Now the bird thing is looking waay too Sopranos
  • You wanna shoot the golden?
  • Nixon - the fallen dove - the rifle - Pete as Lee Harvey - it's all leading to the Kennedy assassination.
  • Peggy looks bigger in every scene--rapidly advancing pregnancy. Hey, that's what happened to Darla when she was pregnant with Pete, I mean Connor. (Angel fans, where are you>)
  • Very nice, MA. :)
  • Maybe I'm just tired, but this is a very slow episode.
  • Tom, it does feel like we are in the second hour of a double episode
  • It *is* extremely slow.
  • MA, vampire spawn is different than whore-child.
  • Indeed, Tom. Glacially incremental movement in the lives of people we have not come to love.
  • Exactly Steve - less interesting than my own office life.
  • Hey - easy on the fine folks in your office, Tommy!
  • Didn't Peggy get birth control in the first episode?
  • Drop you at the station - finally - a glimmer of wit!
  • Poor Betty.
  • "Fill the pool"?!?
  • Lee Harvey Draper
  • Best ending yet. You are my special angel, great song.
  • Is it wrong of me that I genuinely enjoyed that sudden lurch into David Lynch territory?
  • The show needs to pick a genre and go with it.
  • I thought of David Lynch too. Is it wrong? Who knows. The show's so slow that when *anything* happens, we're all so grateful.
  • Nice last shot. She was a little Bonnie Faye Dunaway there. But the texture feels like it's from a different show
  • Was it supposed to be funny or something that when the guys were knock down drag out fighting, the two shmoes didn't even care at all and then just walked out?

    What was that?
  • What was that?

    BG, I wish you could answer that for so much of this show.
  • So there's no *deep* meaning?

    How did they possibly shoot that scene and think that's the way the should've shot it?

    Well, that goes for much of the show too.
  • Actually, I thought Draper and Sterling ignoring the fight and going off to the station was a clever, funny touch.
  • Blue girl-anger management was not invented yet. For white men with anger issues allowances were made. But this was just absurd.
  • The closed captioning is so freaky that the first character of each line is dropped.

    And, "Theorello"? If it's mentioning Tammany Hall, it's "Fiorello", people.
  • In light of last week's show, this one was such a disappointing clunker.

    It hit all the usual "Mad Men" notes and ended right where it began.
  • Jim,

    I thought Draper and Sterling ignoring the fight and going off to the station was a clever, funny touch.

    You optimist, you.
  • Oh, yeah -- ANGEL fans reprazent!!
  • "One day I've got to take a picture of her crying." Every left turn, this sadism/sociopathy peeking out.

    "I didn't think you had it in you, and I mean that." What they did was block Kennedy from buying TV time in the crucial state of Illinois.

    And am I wrong, or did Don and Betty have a couple of civilized, sexually-compatible days, due to Betty actually waking up out of her suburban stupor? The psychiatrist only perks up when she perks up, and it's implied that her outburst is the first one she's had in his office.

    As for the end, I expected her to drop a plate or a cup, due to shakiness, not accurately sight and fire a pellet gun at the neighbor's pigeons (an act I consider proportionate to his death threat, toward the family dog).
  • And, as for Peggy? YAY.
    She sees clearly what she wants, while the supposedly clueful Joan, isn't.

    "I just realized something... you think you're being helpful." About time, missy.

    (Oh, yeah, you're getting that I'm watching the second showing?)
  • Well, I picked a good night to get back late from the gym. I watched the 11 PM broadcast (hey, if it's cable, is it still a broadcast?), and I'll tell ya I woulda had a helluva time trying to come up with clever live-blogging remarks for this episode. But it's cool, we've still got Kristin Ament's re-cap to look forward to. Here's the great one she did of last week's show:

    http://www.unboundedition.com/content/view/2366...
  • Tristan--yes, Peggy got birth control in the first episode, and then had sex THAT NIGHT. It takes at least one cycle for the Pill to become effective. So, odds are she got knocked up by Pete.

    I didn't think Peggy was really shooting pigeons--that was part of her reverie, yes? The shrink oughtta love that one.

    I'm still confused as to how Pete actually turns out to be the smart one in the office. Cause, you know...not bright. I didn't get the ad buy strategy when he said it--and, frankly, I didn't find the Mamie's funeral story half as funny as his buddy did, but then I was never in a frat--but when Roger and Bertram came in it all became clear. And you know what? It WAS a good strategy.

    Given Don's own dimness about it, I have yet to understand why McCann-Erickson (or anyone else) wuold court him so aggressively.

    I still feel like this show isn't really taking us anywhere, though--that it's a lot of stylistic flourishes and grandstanding, without any there there.

    But I did like Don and Roger walking off while the boys were tussling.

    cgeye--I also use the CC option, and was confounded by "Theorello" until they mentioned both the exclamation point and Tammany Hall. You might also have caught the captions referring to "BBDO and YNR" instead of BBDO and Y&R.
  • Karen, I think the reason none of us think the collegiate story about the dead dog in the wagon was funny is because we, unlike the guys at Sterling Cooper, aren't sitting around getting shitfaced all day. Really, do those guys do any work at all? And now I don't think Peggy's knocked up. All of her weight's in her ass. I finally have my snarky recap up, after having the last several days be one big musical salute to intestinal distress. It was a crap episode.
    http://www.unboundedition.com/content/view/2481...
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