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With a crowd of family in tow in a sea of bustling fine art tourism, I took in the astounding Joseph Mallord William Turner retrospective at the Met last week, jostling through the headphone-wearers to gaze at a few of the finer works at some small length. Turner was an artist of empire
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11 months ago
An English friend accompanied us on this adventure and he was distressed that two of Turner's most famous paintings were not included. He viewed the show with a keen awareness of the artist's significance among England's great painters. Since his loyalties seemed set, I resisted asking about the many digs at the man's horrible ambition--can one aspire to serious art casually?
Nor did I wonder out loud about the complaint that Turner was uncouth. I resisted mentioning Van Gogh's rude eccentricities and said nothing about , those notorious Renaissance masters, who robbed graves to learn anatomy. Of course, they weren't English.
My favorites paintings were the close-up boats and water by the shore, although all his work with light on water bouncing through the air and from the sky amazed and stayed with me. Like you I liked his later paintings and, as usual, felt admiration for an artist who kept working until the very end of his life.
11 months ago
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Tom as you talk about the coal fed ships I exactly which Turner you are describing. You can almost sense the crewmen gagging as the smoke fills the ship and smell the coal as it burns.
As I walked through the crowded exhibit I noticed sound of the visitors in each room would change. With Turner’s large dramatic epic ocean scene in which you could hear the spray of the water and angry storm above though uncertain which was storm and sea I could also hear a lot of discussion among the viewers. I moved though his more “serene” works the room was almost still expect for the shuffle of viewers feet across the floor.
I wondered did Turner inspire music or were classical musicians of the time inspired by Tunner?
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