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Yeah, and what about her voice? It was an "actorly" voice (see Joan Crawford, Bette Davis and so many others of that era, with the sort of "trained" voices that are long out of fashion) but so warm and human.
Thanks for the tribute, Siren. Somewhere up there Stanwyck is flicking her cigarette ash and smiling ever so slightly.
There is no question that Double Indemnity was her peak, but the reason I like her as Martha Ivers is that she gets to play the backstory in that one. You know why Martha is the way she is and Stanwyck fleshes her out. Whereas Phyllis Dietrichson is just rotten to the core--deliciously, wondrously so, but not as layered a woman.
My favorite might be "Remember the Night." It's always astonishing to see how warm and vulnerable she could be, at roughly the same time she was creating her character in "Double Indemnity."
If nothing else, Stanwyck is great proof of the pleasures found in getting older: when I was a little kid, she scared me, but now I think she's one of the very best.
Of course, Double Indemnity is great but there's a western I used to see on TCM pretty often, The Violent Men I think it was, in which she more than holds her own against Glenn Ford and Edward G Robinson. She's the best thing in the movie.
GDI