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I daresay Eliot surpasses Pete's lyrical gift, but not by nearly so great a margin as that by which Pete outrocks the Possum.
There are numerous other Townshend-Eliot connections, which I'd love to see developed by someone with access to the resources necessary to get at the root of them. "Drowned" from Q and The Sea Refuses No River from Pete's solo work are part of the answer here (as, I suppose, must be his later solo work, "All Shall Be Well", echoing Little Gidding echoing Julian of Norwich). I think there's a reason the lyric "Teenage Wasteland" isn't "Teenage Stopping by the Woods on a Snowy Night".
Someone who knows how Townshend came to work at Faber could doubtless contribute to this important study. My effort to raise it, years ago, on the U. of Missouri's T.S. Eliot listserve went over like a Led Zeppelin.
And I remember a Who exhibition at the ICA in about 1980... and of course seeing them live at Wembley in 1979. Townshend spoke to every disaffected adolecent - he certainly spoke to me. And Quadrophenia is definitely his finest work - got to agree.
Q: Are you a mod or a rocker?
A: I'm a mocker.
--Not from the picture of the same name.
Quadrophenia is a work that transcends its subject matter and will continue to remain relevant long after Pete is gone.
I agree with all of your thoughts.. Great post again..