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Though I did enjoy the blood and gore in Monty Python.
But I'm in no hurry to see -- and perhaps never will see -- the sequels. Reason being, the first installments just weren't all that good.
Hostel in particular was not as awful as it could have been, and I found the cinematography so dark that it mitigated the gore. But for utter pointlessness, you've got it all here in a 90 minute nutshell. And suspense? Nonexistent.
Siren, I agree with your overall point. Not every movie is going to be The Seven Samurai (personal fave) but that's no excuse to celebrate junk.
I started to write a comment on the above comments, and it went and turned into my own little confessional piece. See above.
(Incapable of doing the smiley-face symbol, so please imagine one right here.)
Kevin, I love The Seven Samurai too. In the spirit of adventure I would like to say I will watch anything but it isn't true. There are certain pictures I just do not want in my head. One of my favorite bloggers confessed to me that he wished he had never seen Last House on the Left, because now those images would be with him forever, ready to jump into his brain whether he wanted them or not.
By the way, speaking of disturbing images branded into your brain, I just last week watched the Criterion DVD of Sternberg's "The Scarlet Empress" and there is a montage of torture and decapitation in the first reel of that which I found more disquieting and unfortunately indelible than anything in "Saw". Sternberg obviously slipped that one out right before the Code clamped down.
Ha, I remember that Sternberg sequence! It is probably the most accurate thing in that movie, historically speaking. Sometimes old movies can surprise you with how chilling they are. There is a scene in The Big Combo (coincidentally, it's on TCM tonight at 8) where Cornel Wilde is tortured that is quite difficult to watch even in 2007.